In module IV of Process and Difference in the Pluriverse, a course at CIIS being instructed this spring by Matthew Segall, we explored works by Anne Fairchild Pomeroy (Marx and Whitehead: Process, Dialectics, and the Critque of Capitalism) and William E. Connolly (Facing the Planetary: Entangled Humanism and the Politics of Swarming). In this video I muse about “techno-artistic” applications of the scientific and philosophical insights which point to our ontological entangledness. How might we better feel into the reality of our radical hanging together?
Joanna Macy’s “Milling” exercise from “The Work that Reconnects” workshop (the entire workshop is an example itself) along with Marina Ambravoić’s performance “The Artist is Present” are wonderful examples of “Subjectication.”
I ended up taking longer than I expected (of course) and didn’t have time to suggest some more examples of tangible techno-artistic experiments. Here are some ideas below:
Entangled hikes (hiking with a storyteller/naturalist), collabrative futuretelling (Haraway and her The Camille Stories), dramatized enactments (like Ghandi’s salt stunt, but specifically tailored to entanglement, poetry, personifying micro-modes within us (archetypal astrology).
I’m especially interested in creating some kind of collaborative-poetic-performance experiences that could be repeated (though always unique to the context) and which might be wonderful vehicles of transformation at demonstrations and other large events. Storytelling a bumpy, fragile cosmology of perspectives somehow… Anyone want to riff on this with me?